ILUMINADA GARCÍA-TORRES (Elche,1949) describing a synesthetic approach where the canvas functions like a score.

Treat the "matrix square" as a fixed mathematical unit, the variations in line weight and color frequency act as visual "notes" or "beats." By repeating or contrasting these units, she create a visual cadence that the eye follows much like the ear follows a melody. It transforms a static geometric grid into a dynamic, rhythmic composition and the same that the lines drawn in each matrix square—with sides consisting of 4 communicating horizons expanded into musicality cartographies